Plan B | Installation, 12x10', 2010
Recycled board boxes, LED and neon lights, found objects and materials, gyproc sheets, plastic tarpaulin, overhead projector, printed acetates, radio.
This project is an exploration of in-betweens as possible spaces of creation and resistance within homogeneous and/or restrictive frameworks. Consideration on Power as multiple and dispersed, Hakim Bey's Temporary autonomous Zones (TAZ) as means of resistance are the point of departure of this proposition.
Plan B is made of used industrial board boxes and create a white angle in a dark room, suggesting a massive 'white cube'. The structure, that seems to have a red light trapped inside, is emitting a scrambled audio signal. The viewer has apparently no access in the structure. The two-doors room allowed me in this case to manage an alternative entrance that gave access inside the structure to an ephemeral shelter, made of found materials and elements suggesting a human presence. Undefinable images are projected in the walls; the scrambled audio signal heard from the outside is emitted by an old radio. ¬
Recycled board boxes, LED and neon lights, found objects and materials, gyproc sheets, plastic tarpaulin, overhead projector, printed acetates, radio.
This project is an exploration of in-betweens as possible spaces of creation and resistance within homogeneous and/or restrictive frameworks. Consideration on Power as multiple and dispersed, Hakim Bey's Temporary autonomous Zones (TAZ) as means of resistance are the point of departure of this proposition.
Plan B is made of used industrial board boxes and create a white angle in a dark room, suggesting a massive 'white cube'. The structure, that seems to have a red light trapped inside, is emitting a scrambled audio signal. The viewer has apparently no access in the structure. The two-doors room allowed me in this case to manage an alternative entrance that gave access inside the structure to an ephemeral shelter, made of found materials and elements suggesting a human presence. Undefinable images are projected in the walls; the scrambled audio signal heard from the outside is emitted by an old radio. ¬